Leaves of Grass is Whitman's seminal poetic work that revolutionized American poetry through its innovative free verse style and exploration of themes like the self, nature, democracy, and the human experience. Leaves of Grass by Walt Whitman is a seminal poetry collection that had a profound impact on American literature and culture. Here are the key points about what Leaves of Grass is about:
It is Whitman's life's work, which he continuously revised and expanded from the first edition in 1855 until his death in 1892.
The collection is considered Whitman's greatest contribution to free verse poetry, and he is often called the "father of free verse".
Major themes in Leaves of Grass include transcendentalism, the self, oneness, spirituality, the body, the American wild, democracy, the Civil War, sensuality, and sexuality.
Whitman uses the imagery and symbolism of grass throughout the collection to represent the cyclical nature of life, death, and rebirth.
Poems like "Song of Myself", "I Hear America Singing", "When Lilacs Last in the Dooryard Bloom'd", and "I Sing the Body Electric" are considered some of Whitman's most famous and influential works within the collection.
Leaves of Grass was controversial and not widely acclaimed during Whitman's lifetime, but it is now regarded as one of the most important and influential works in American literature.
The Structure of Walt Whitman's Leaves of Grass
The structure of Leaves of Grass is characterized by Whitman's intentional, thematic organization and development of the work as a cohesive, lyrical epic centered around the poet-prophet figure and the Christ-symbol.
Leaves of Grass is considered a unified, lyrical, and epic work, rather than a collection of individual poems.
The unifying structure and spirit of the work is centered around Whitman's concept of the "poet-prophet" and the relationship between the poet and the reader.
This poet-prophet concept is conveyed primarily through the development of the Christ-symbol as a dominant image throughout the collection.
Whitman carefully organized and structured the poems in Leaves of Grass, grouping them into distinct sections or "clusters" with specific themes, imagery, and development of the poet-prophet motif.
The structure of Leaves of Grass evolved over the various editions published during Whitman's lifetime, with the 1881 edition representing his final, carefully curated arrangement of the poems.
Whitman's adherence to an "organic theory of art" is reflected in the organic development and structure of Leaves of Grass as a unified whole, rather than a random collection of individual poems.